The week ripened into a day of walkabout in Ottawa with both jazz and blues in the evening. Then I settled into the rhythm of prayer and writing for Holy Week and was able to complete both my Easter homily as well as a short reflection for Palm Sunday. There was an afternoon of music therapy with my friends at L'Arche Ottawa - and supper with the community, too - then a chance encounter will local blues man, John Carroll, and the joy of hearing another set of his most excellent songs. Just as I was about to depart, my cell phone informed me that the US had started to bomb Syria.
I am currently reading Peter Matthiessen's novel, In Paradise, about a retreat to bear witness at Auschwitz conducted by an international group of spiritual pilgrims. It is sobering and stark - every bit as horribly real as I remember my pilgrimage to that place of death - and Matthiessen offers no simple answers or pious promises about redemption. It is achingly insightful with glimpses of both beauty and anguish woven throughout the text.
One particularly vexing encounter involves the chanting of prayers in the crematorium that morphs into an ecstatic dance for life led by one of the rabbis. Soon, most of the pilgrims are dancing together under the sway of the Spirit, while a few stare in disgust and others flee in condemnation. Afterwards, no one quite understands what happened. Or why? They are baffled that there could be dancing at Auschwitz - and that somehow it could feel like prayer, confession, and forgiveness all at the same time.
(The protagonist, Clements Olin) is relieved that so many others will testify to 'something not known to anyone at all but wild in our breast for centuries' (a favorite line from an Akhmatova poem)...with the advent of this something-not-known (which he scarcely dares consider lest it vanish) the metastasizing animosities among the witness bearers are dissolving, as if the Dancing were sealing their acceptance of all woe-begone humankind in all its greed and cruelties as the only creature capable of evil and the only one - surely these two are connected - aware that it must die... "Horror penetrates our bones but at the same time there is joy" says the daughter of an SS doctor. "Who would have expected joy at Auschwitz?" (pp. 167-9)
In my soul it feels as if the part of creation I know and live within is not only about to celebrate Holy Week, but is living out a 21st century, 1984 version of it on steroids. It is a time when horror penetrates while at the same time joy ascends. One preacher, Karoline Lewis, wrote:
And now begins my generation's descent into Jerusalem...
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